Instead of going up and down a basic arpeggio like that one, why not try to make something like this? A master of building intensity in his solos, and possessing a strong command of the bebop language, Benson is often listed as one of the top jazz guitarists of any generation. Played over a turnaround chord progression in F major, this line uses a C as the 2 nd note of every four-note group. For the second bebop lick, it occurs when there is a fingering on the 3rd string, B-C-D in this case. If you ever have a 7 th chord, you can play major triads from the b5 and 5 of that 7 th chord to create an altered sound. Please show this teacher your appreciation:
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Advanced Soloing Concepts
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Advance Scale Concepts and Licks for Guitar by Jean Marc Belkadi
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